Document Type : Academic research papers
Author
Faculty of art, ain shams university
Abstract
There is no doubt that reading the hangings the light of cinematographic techniques opens a new door to understanding them, tourism in them, and illuminating many aspects that were impossible to express with the tools of old criticism. This new reading is nothing but a humble attempt to keep the ember of the hangings alive by linking it to contemporary arts, and have become strongly inclined to elicit meaning, idea and feeling from the visual and audio arts more than the read literature. the reasons for choosing it, the method the researcher adhered in this study, the previous, direct, and indirect studies, the difficulties he faced, and two chapters: The first is entitled: The cinematic scenario and its main elements, and it included four units under the following headings: the story, the scene, film shot, and film dialogue. The research treated in the cinematic dialogue unit the lyrical dialogue, the borrowed voice dialogue, the victorious dialogue, the debate dialogue, the review dialogue, the persuasion dialogue, and the antagonism dialogue. As for the second chapter, it came under the title: Scenic Photography in the hangings in which the researcher dealt with: the Paradise scene in Al-A’sha Al-Kabeer hanging, the realistic scenery in the Antar hanging, and the natural scenery in the hanging, as represented in Amru’ Al-Qays, and Labeed bin Rabi'ah hanging. The researcher appended his study with a conclusion in which he mentioned the important results he reached, and a list of sources and references that used in preparing them.
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