Abudu, Gabriel A. “An Interview”. Singular Like A Bird: The Art of Nancy Morejón, edited by Miriam Decosta-Willis, Howard U, 1999, pp. 37-42.
Appelbaum, Stanley, editor. Introduction to French Poetry: A Dual-Language Book. Dover Publications,1969.
Apostel, Leo. African Philosophy Myth or Reality? E. Story- Scientia, 1981.
Arroyo, Jossianna. “Transculturation, Syncretism, and Hybridity”. Critical Terms in Caribbean And Latin American Thought: Historical and Institutional Trajectories, edited by Yolanda Mart í nez-San Miguel, Ben. Sifuentes-J á uregui, and Marisa Belausteguigoitia Algrave. Macmillan, 2006.
Arinto, Patricia. "Women and the Revolution the Poetry of Resistance of Latin American Women writers". The Review of Women’s Studies, vol.2, no.2, 1992, pp. 59-71.
www.peepaltreepress.com/books/yoruba-cuba-selected-poems-nicolas-guillen.
Bowser, Jeriah. "Elements of Resistance: Violence, Nonviolence, and the State". The Anarchist Library, 25 Oct.2014.
www.theanarchistlibrary.org/library/jeriah-bowser-elements-of-resistance-violence-nonviolence-and-the-state.
Brown, Lesley, editor. The New Shorter Oxford English Dictionary on Historical Principles. vol.2, Oxford U, 1993.
Camus, Albert. The Rebel: An Essay on Man in Revolt. Translated by Anthony Bower, Vintage P, 1991.
Certeau, Michel de. The Practice of Everyday Life. Translated by Steven F. Rendail, U of California, 1984.
Connor,
Steven. “What if there were no such thing as the aesthetic?”.
Steven Connor, 9 Nov. 2016.
www.stevenconnor.com/doingwithoutart.html.
Cook, JuanamarÍa Cordones, editor. Looking Within. Mirar Adentro: selected poems/ poemas escogidos, (1954-2000), Wayne State U,2003.
Cudjoe, Selwyn. Resistance and Caribbean Literature. Ohio U, 1980.
Foran, John, et. al. editors. The Future of Revolutions: Rethinking Radical Change in the Age of Globalization. Zed Books, 2003.
González, Patricia E. “Yoruba Vestiges in Nancy Morejón's Poetry”. Callaloo, vol.28, no.4, 2005, pp. 952-966.
Grafe, Adrian, Jessica Stephens editors. Lines of Resistance: Essays on British Poetry from Thomas Hardy to Linton Kwesi Johnson, McFarland, 2012.
González, Patricia E. “Yoruba Vestiges in Nancy Morejón's Poetry”. Callaloo, vol.28, no.4, 2005, pp. 952-966.
Hardt, Michael, and Antonio Negri. Multitude: War and Democracy in the Age of Empire. Penguin, 2004.
Harlow, Barbara. Resistance Literature. Methuen, 1987.
Hohendahl, Peter Uwe. The Fleeting Promise of Art: Adorno’s Aesthetic Theory Revisited. Cornell, 2013.
Hoy, David Couzens. Critical Resistance: from Poststructuralism to Post-Critique. The MIT, 2004.
Hsiao, Andrew, and Audrea Lim, Editors. The Verso Book of Dissent: From Spartacus to the Shoe -Thrower of Baghdad. Verso, 2010.
Jaja, Jones M. “Myths in African concept of reality”. Academic Journals, vol.6, no.2, 2014, pp. 9-14.
Kristeva, Julia, Desire in Language: A Semiotic Approach to Literature and Art. Edited by Leon S. Roudiez, Columbia, 1980.
Khouri, Elias. “The World of meanings in Palestinian Poetry’’. The lost Memory. Translated by Barbara Harlow, Beirut: Institute for Arab Research, 1982, 245.
Landry, Jim. Orishas: African Gods of Worship. Truth Book, 2016.
Lenardon, Robert J. and Mark P. O. Morford Eds. Classical Mythology. New York: Oxford U, 1999.
Lofton, Ramona (Sapphire). “Dialogue with Nancy Morejón”. Translated by Jason Weiss, BOMB Magazine, vol.78, Winter, 1 Jan 2002.
www.bombmagazine.org/articles/nancy-morej%C3%B3n.
Sibley, Frank. "Aesthetic Concepts". Philosophical Review, vol.68, 1959, pp. 421-450.
www.iep.utm.edu/aestheti.
Seudatsingh, Anisa. “Responses of the Caribbean People to Oppression and Genocide”. SlideShares, 10 July 2014.
www.slideshare.net/Veeshalla100/responses-of-the-caribbean-people-to-oppression-and-1.
Theodor, Adorno. Aesthetic Theory. Continuum,1997.
Weaver, Kathyleen, editor and translator, Where the Island Sleeps like A Wing. The Black Scholar,1997.
Weiss, Gail, Refiguring the Ordinary. Indiana U, 2008.
West, Alan. “Nancy Morejón: Transculturation, Translation and the Poetics of the Caribbean”.
Callaloo, vol.
28, no.4, Fall, 2005, pp. 967-976.